Marina Abramovic, the cult of performance
She plays Russian roulette, throws herself into the flames, or stays motionless for three months at the MoMa in New York. At 70, the shaman of conceptual art is a superstar at the head of a work so radical as universal. She revisits her destiny to the taste of absolute in an autobiography.
Texte Shirine Saad/Madame Figaro